Commercial Lighting Design

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Taking The Long View

Taking The Long View

“Depth cues are as classic as two railway lines running off to some other land…the essence of many a space can still be about a journey, be that a long room enticing you in or a corridor that leads somewhere.

Soft Architecture

Soft Architecture

“One of my favourite ways to use light…the light fixture with no edge to the plaster, the light has (mostly) a gypsum and resin tile that first fits in the ceiling

Playful Ceilings

Playful Ceilings

“Boundaries of a space are made from furniture, features, walls, ceilings and floors….making the eye to be drawn to the ceiling is a wonderful canvas for the lighting artist inside every designer…

Notice Me!

Notice Me!

“When the purpose of the project is retail, the merchandise should be lit first, second and third! The job of a great retail lighting design is to understand the primary purposes then add to the brand and then the shopping experience (through style and architecture)

Integrated To Architecture

Integrated To Architecture

“The lighting designer has to read the volume, boundaries, textures and use of the space before suggesting both lit effects and the best luminaire to fit the project.

Continuous Lines

Continuous Lines

“In greyblue lighting design we nickname the continuous integrated lines we make as “Tron”, because an architect asked for this effect once following the sci-fi film “Tron” where the man on a motorbike…

Choosing Colour

Choosing Colour

“First know why your using colour, then decide how dominant or subtle this will be. Coloured paint with white light will be different to white ceiling and coloured light.